+ Description

Among the most outstanding of Richter´s characteristics was his uncanny ability to illuminate the minutest details while at the saure time aking them converge into a single unified whole. This, allied to his prismatic approach to colour, goes some way towards explaining the quite extraordinary spell cast by his Debussy-playing. In the light of his playing of Estampes in particular, he raust surely be ranked as peerless in this repertoire.

+ Tracks

CONCERTO NO. 2 IN C MINOR FOR PIANO AND ORCHESTRA, OP. 18
A1 SATZ: MODERATO
A2 SATZ: ADAGIO SOSTENUTO
B1 SATZ: ALLEGRO SCHERZANDO
SIX PRELUDES
B2 NO. 12 C OP. 32 NO. 1
B3 NO. 13 IN B FLAT MINOR, OP. 32 NO. 2
B4 NO. 3 IN B FLAT, OP. 23 NO. 2
B5 NO. 5 IN D, OP. 23 NO. 4
B6 NO. 6 IN G MINOR, OP. 23 NO. 5
B7 NO. 8 IN C MINOR, OP. 23 NO. 7